(Originally published January 2017)
![]() |
| Empress Dowager Cixi whose Decree caused such bloodshed |
This is my genealogical journey. I started as a rank amateur and have become a well-seasoned, but still amateur, genealogist through the years. I'll share techniques that I’ve learned through trial and error, publish excerpts from old letters and journals and show you photographs and documents that relate to my history, and maybe yours. But mostly I’ll tell stories that engaged and entertained me, educated me and that made me a more meticulous and detailed family history researcher.
(Originally published January 2017)
![]() |
| Empress Dowager Cixi whose Decree caused such bloodshed |
![]() |
| Fannie Sturtevant Woodruff with her camera |
Already documented is their voyage across from Boston, their travels across England, Scotland, and Wales, their stop in Paris, and their travels in Switzerland. As I noted in my previous posts, the order in which they placed their photographs in the album does not reflect what I would consider to be an accurate order of the places they visited. In particular, in England, Eton appears multiple times in different parts of the album, but I doubt they went back three times. And the Switzerland trip starts in the southeast of country and ends in the southwest, after which the family is in Germany to the north of Switzerland. Please see blog posts two and three for maps detailing all the locations of their photographs.
Part one of this post took us through the family photo album up to their voyage across from Boston to Liverpool. The first section of the album after the crossing contains photographs from their travels across Scotland, Wales, and England.
The order of the photographs in the United Kingdom, as I mentioned before,
appears to be out of order unless the family crisscrossed and doubled back on
themselves. They covered a lot of ground, visiting Scotland, Wales, and central
England. The map shows all the places where they took photographs.
![]() |
| Album page 1 |
There is no other account of this trip, however the photographs, notes, and available online records provide a wealth of information that has allowed me to perform further research and learn quite a bit about their holiday. I’m particularly grateful to have this album because it contains the only photographs I possess for these family members.
But What About the Painting?
The historical preamble in part one sets up the connection between the inherited painting, the longest-operating business in the United States, and my family.
I was prompted to research this painting because of Bill Kahl’s comments about it when I was visiting with him in 2012. Bill described the painting to me as follows:
“It was painted by John Howard Benson, the grandfather of Nick Benson. It is a painting of Lawton’s Valley in Middletown . . . my last recollection is that it hung just off the kitchen in their [my grandparents’] house in Kingston [RI] . . . the painting is an oil painting of a woodland scene in a heavy gold frame.”
Continuation of a three-day excerpt from my cousin John Black’s diaries over the weekend of Friday through Sunday, January 15-17, 1954. In these entries, John describes a weekend visit that he and his brother Peter made to my grandparents’ house in North Stonington, Connecticut. (Note: when John reached the end of a page, he would continue at the top of the same page and sometimes on to other pages in the diary.)
Sunday, January 17, 1954
I’ve written extensively about my cousin, John Baxter Black, who was a good friend and who influenced my interest in researching my family history. John was born in Mansfield, OH in 1924 and he died there in 2014 at the age of 90. From 1936, at the age of 12, to the week he died, John wrote a journal chronicling his daily activities and thoughts.
![]() |
| John Black circa 1954 |
John comes alive for me in these entries. I read his words and I can hear him speak. I picture him as he chronicles his observations and personality studies, along with his own insecurities and worries.
![]() |
| Peter Black circa 1954 |
In 1954, at the time of these entries, John was 30 years old and lived in an apartment at on East 67th Street in New York City, just a few steps from Central Park. He was in the process of editing his one and only novel, The Night the Americans Came, which was published eight years later in London.
At this moment in time, he was reading two books that he had purchased earlier in the month: The Diaries of Virginia Woolf and Gwen Raverat’s memoir, Period Piece (Raverat, a wood engraver in England who died a few years later, was Charles Darwin’s granddaughter).
One note: when John reached the end of a page, he would continue at the top of the same page and sometimes on to other pages in the diary. With this bit of context, the entries for those three days:
![]() |
| My grandfather, Joel Dirlam, during World War II |
![]() |
| The Bombe Codebreaker Machine - citation below |
![]() |
| Thomas Sharp |
![]() |
| Sarah Antrim |
![]() |
| My great-grandparents, Sidney Bunting and Aileen Smith with their wedding party in Montreal in 1910 |
| The fascinating blog of the NEHGS, vita-brevis.org |
![]() |
| Althea Chase Rowland Woodruff "Woody" with 11 of her grandchildren circa 1947 |
![]() |
| The Three Arts Club at 340 W 85th St, NYC in 1910. This building was replaced in 1927. |
- All applicants must be studying with a view toward self support or working in one of the arts.
- They must be under 30 years of age.
- They must furnish at least two satisfactory references.
- Admittance only by application card.[i]
![]() |
| Empress Dowager Cixi whose Decree caused such bloodshed |